Sometimes the most interesting things were not the art in the studios but hanging out on the walls surrounding the studios.




Taken at Parsons.
Most of the time BFA work impresses me less than MFA work. This was not the case in one of the BFA studios at Parson's.
Maybe it was the quality of the illustrations, the technique. Maybe its because I love using butcher paper for final work, the paper's quality I find sultry, alluring and non conformist. It whispers sweet nothings in my ear. Plus it always manipulates the medium in really interesting and textural ways.
Maybe its because the artist took something that isn't really that interesting (his/her friends) and tweaked it so I, too, care. Maybe that tweaking also made the fact that the work appears in a series not bother me.
Bad-da-da-da-da I'm lovin' it.
So- this is what happens after art school ends. The floor falls out and this entire fantasy land that is a community where everyone talks about art just no longer exists. If one moves to NYC then one no longer has any sort of real studio space, and their poor roommate has to suffer a cluttered living room full of art making stuffs. There is no critical discourse, no exhibition, no fostering of the creative from one's peers.
Charley was my accomplice. He was a way good sport about me geeking out and talking to everyone who interested me.


Not that I found these particularly interesting, but they reminded me of little Eames birds, on really big poops. I hope someone brought that up during crit.
This work was done by my former boss when I was working in Chicago. It was so crazy to walk in and be all like- HEY! I know you! And you're MARRIED?
Charley said he had this book as a child. Weird. It's all MILF-y and Jesus-ey at the same time.
The Importance of Being Charley.